Typically, I've grown tired of apocalyptic horror. Although classics like 28 Days Later along with the initial episodes from The Walking Dead were gripping, the genre seems mostly depleted nowadays. Yet the highly anticipated 28 Years Later remains gathering dust in my watchlist for some time. But, Netflix's latest Southeast Asian zombie flick, The Elixir, succeeded in defy what I anticipated and proved remarkably entertaining.
Excellent Rhythm and Personal Growth
One of the film's greatest strengths is its excellent rhythm. It kicks off using a memorable opening sequence in which a peaceful family gathering gets suddenly disrupted by a van crashes into the guest area. Out of the van, a very undead-looking stranger stumbles out proceeding attacking the attendees. This intense scene is immediately succeeded by a look back, giving viewers to see the family before the disaster struck.
Unlike many zombie films, The Elixir truly allows viewers enough opportunity to become acquainted with its main characters prior to the chaos begins. We meet Nes, a married mother with a ex close friend, Karina, has become married to her dad—an obviously awkward dynamic. Naturally, this has predictably led to a falling out between the two women. We also see her sibling, Bang, who is good-natured but socially awkward, and he loves gaming with Nes' young son, Raihan. Nes' husband, Rudi, appears to have lately been unfaithful to Nes. This household head consists of her dad, the owner of a popular natural medicine business called Wani Waras, and who seems to care about only two things: his work and his marriage to his daughter's former best friend. Unsurprisingly, this gathering proves extremely tense.
Invested in the Drama
I found myself so engrossed with this household's issues along with their interpersonal drama to the point I nearly overlooked this was a horror film—something that could seem like a drawback, yet in the end paid off. The Elixir dedicates a considerable amount of the film depicting us who each family member represents, and how they contribute to the general turmoil. This focus on conflicting traits allowed the audience to relate with the characters sufficiently to care about their fate—a rare feat in a genre that often introduces characters only to kill them off shortly afterwards. The Elixir avoids portraying its cast as flat, disposable victims for a horde of the undead to consume, thus it's a real surprise once events eventually deteriorate.
Reminiscent of Parasite
The opening scenes of the party and the multiple family interactions actually evoke the film Parasite, a tale that masquerades like a K-Drama featuring somewhat morbid comedy prior to taking an abrupt turn toward "holy shit" ground. These introductory scenes aren't centered as much on humor as Parasite, yet The Elixir still gives enough opportunity to settle into the setting before it gets upended.
Original Infection Source
This movie also offers a fairly interesting explanation for the source of the spreading zombification. Instead of a unintended lab leak or some sort of biological weapon, the cause of this contagious disease originates in a new batch from Wani Waras natural medicines developed by Nes' father. Although we do learn something regarding its origins, I wish the movie devoted a little more time on how Wani Waras transitioned from a reputable purveyor of natural treatments to creating a deadly potion that appears to contain a highly contagious virus. Despite the lack of background, the effect this affliction produces on humans is absolutely disgusting, which I appreciate. The Elixir's undead prove fast, freaky-looking, and, maybe most disturbingly, always smiling. This represents a daring decision, yet it succeeds. The Elixir's practical effects and computer graphics are also quite convincing, and are almost guaranteed to provoke one's trypophobia.
Capable Characters
More impressive compared to the disgusting scenes is the cast themselves. Of course, there are some instances of dubious choices (like any typical zombie movie), but for the most part, Nes and her relatives are inventive and sharp. They also aren't afraid to kick a zombie in the head, pierce it using a farm tool, or hit it over the head with whatever blunt instrument they find rather than freezing like prey in headlights as death approaches.
Believable Familial Strike
The Elixir doesn't abandon its themes on family conflict once individuals begin transforming into zombies, this proved a welcome authentic subversion from that "We don't get along|"We have issues, but you almost died so I instantly forgive you for everything! cliché often seen in apocalyptic movies. Obviously, Nes cares for her family and cares about her spouse, Rudi, yet it's equally apparent she remains clinging to resentment over his betrayal in their relationship. Once the household gets separated, they decide over the phone to regroup at a close location. However, once Bang admits he is unaware the way to the location, Nes unleashes a massive level of irritation toward Bang that's clearly been brewing for years. Nes isn't flawless, and her relatives—flawed as it is—seem authentic and relatable because the film avoids attempting to promote the idea that a near-death experience immediately resolves family tensions. This causes those instances when these characters express appreciation toward one another feel far more sincere.
Stereotypical Ending
In spite of The Elixir's best attempts to break new ground, the conclusion is admittedly a bit stereotypical. The Elixir isn't really presenting any deep insight about family or community, either. Rather, it's primarily serving up scares. But they're successful scares, and because the movie allows every personality enough room to develop and doesn't punish them for having flaws, the result proves a captivating and enjoyable
